Story: Criticism and the arts

Nationalism debates: Frames on the land (3rd of 4)

Nationalism debates: Frames on the land

In Frames on the land: early landscape painting in New Zealand (1983) Francis Pound repudiated the view that New Zealand's 'hard, clear light' inspired a unique approach to landscape painting. Instead, he suggested that immigrant artists of the 19th-century imposed European theories and practices – 'frames' – on what they saw.

Using this item

HarperCollins Publishers New Zealand
Reference: Francis Pound, Frames on the land: early landscape painting in New Zealand. Auckland: Collins, 1983

This item has been provided for private study purposes (such as school projects, family and local history research) and any published reproduction (print or electronic) may infringe copyright law. It is the responsibility of the user of any material to obtain clearance from the copyright holder.

All images & media in this story

How to cite this page:

Rebecca Rice and Mark Williams, 'Criticism and the arts - Issues of identity, 1960s onwards', Te Ara - the Encyclopedia of New Zealand, http://www.TeAra.govt.nz/en/object/42934/nationalism-debates-frames-on-the-land (accessed 23 April 2024)

Story by Rebecca Rice and Mark Williams, published 22 Oct 2014